Saturday, May 30, 2009

Gods in the House

Just something very quick that I would like to share because I don't know how many readers are not on the Hellenistai forums. One of the editors/translators of Christos Pandion Panopoulos's “Hellenic Household Worship” from Greek to English made it known on the forums, and the work is so awesome that I'm mentioning it here. (Hellenistai Thread).

A little sample:

Especially today, the primacy of household worship is determined to be absolutely necessary for those who wish to follow the religious practices of our ancestors, not only because it is from this seed that the religion may be best cultivated to re-emerge in society but it is also in the Oikos that one will not be confronted by the problems of religious discrimination which unfortunately still dominate in the Neo-Hellenic State wherein the Hellenic religion continues not to find State recognition. [Link]

The household worship outlined here is slightly different from my worship. I have religious space that is used when following Hesiod's outline for honoring deities on specific days of the month (but also for prayer, meditation, synchronized ritual, and “public” cultus), but I have not made any household worship space yet. The article has a lot of food for thought, and I hope you check it out.

Read more...

Wednesday, May 27, 2009

Short Prayer to Hermes

I am saying this publicly because prayer always requires the devotee's committment. The more people who witness this, the more weight it holds:

I solicit the God Hermes Eriounes. To you, I have given offerings of barley, coins, candles, and incense. I have given you honey and sweet libations. You have granted me things, too: good luck, a quick mind, skill with the Internet, and proficient speaking abilities. Please, if you be so inclined, help me find a job so I can support my portion of this household. Please, Pompaios, be my guide in what I must do. When I finally secure a position, I will offer you incense and cakes. Thank you.


Getting a job will also provide an excellent opportunity to use that libium recipe from Classical Living.

Read more...

Tuesday, May 26, 2009

Thinking About Hephaistos

Typing without my left thumb is an interesting exercise, and it has cut down significantly on the number of accidental double-spaces I make. On Memorial Day, I damaged my thumb while making a quick bagel. The knife slid. I might have said, “Oh no! Which deity did I fail to propitiate and why did I cut myself on a knife I know how to use?!” My actual reaction was, “So THAT'S why Mom slices bagels after revitalizing them in the toaster oven!” I promptly ran upstairs to clean the wound.

On the surface, that personal anecdote may not have much to do with Hephaistos. After all, typing minus a digit I don't actually employ very often in typing is not the same as having more important limbs performing at partial functionality, and I really couldn't see Hephaistos cooking a bagel. This scenario is far more likely:

Hestia: Okay, so you slice the onion this way. *demonstrates*
Hephaistos: ... oh, so that's what mortals use those knives I make for! *takes knife from sister*
Hestia: Just make sure that you—
Hephaistos: ****!
Hestia —turn your fingers in ... hey, Mom? Do you have a towel?
Hephaistos: *thumb bleeds ichor as he continues swearing*
(And you wondered why some deities don't like it when you use onions in the ritual feast!)


Meditating on every deity is tricky. With Dionysos, one must reconcile the civilized and wild; with Ares, one must balance respect and outrage at his sacred institution; but with Hephaistos, one must revisit what makes a God a God. As the lame God, Hephaistos cannot be pictured as anthropomorphically perfect. The other deities sometimes look down on Hephaistos, using him as comic relief in their pristine Olympic lives. In the Iliad, “The goddess of the white arms Hera smiled at [Hephaistos], and smiling she accepted the goblet out of her son's hand. Thereafter beginning from the left he poured drinks for the other gods, dipping up from the mixing bowl the sweet nectar. But among the blessed immortals uncontrollable laughter went up as they saw Hephaistos
bustling about the place” (Book I: 595-600).

Hephaistos's origins are anything but comic. He sprang from Hera when she willed herself to reproduce asexually. The circumstances surrounding his creation reveal an atmosphere of extreme tension between Hera and her spouse, Zeus: in the myth, he has produced Athene from his head, and Hera worries that this will usurp her place in the divine hierarchy. In all cases, she produces male offspring without sexual intercourse (something that humans can't do without sperm banks or egg donors). Typhon is the most powerful, an adversary and challenger of Zeus; Ares, sometimes attributed to Hera alone and sometimes to Hera/Zeus, presides over war and strife. When she produces Hephaistos, he alone lacks the godly “physical” perfection that defines the Theoi ... at least on the surface.

Hephaistos deserves more credit than people give him. He's a powerful god who will help you with your computer hardware (if propitiated). What he lacks in lower-body mobility, he makes up for with his inventiveness and superior craftsmanship (by Herakles, this is the deity who staffs his forge with frakkin' automata—totally awesome, if you ask me, and worthy of making him the patron of Google and high school robotics teams). In today's mobile society, you may pray to Hermes to get to work on time, but Hephaistos presides over the physical makeup of your trusted bike or automobile. I challenge you to incorporate him into your life: propitiate him, invent something cool in his honor, and stop making fun of people with disabilities (like Stephen Hawking).

At the civil New Year, I vowed to honor Poseidon, Hephaistos, Ares, and Aphrodite some more. Small coincidences this year made me think about this commitment: A shuffle-your-iPod Internet meme on January 9th asked, “What would best describe your personality?” The answer: Kelly Andrew Kaveny's
“Hephaestus.” A few months ago, I received Hephaistos's name during a game that tests whether or not you know deities. While I doubt these events were divine signs, the presence of his name after making that commitment is powerful and personally affirming. Hail Hephaistos!

Read more...

Hymn to Asklepios

Secrets of nature burnt in your breast, consuming all.
As a spark ignites oil, surging in an explosion of light,
so you let the flickering gold on the table consume
judgment and lead you to your present divinity.
Athene gave you secrets: death's stillness, the beauty
found in all life; with these you pressed poisonous
healing against cold lips, transferring your fire.
Fear motivated Zeus to reproach you: a tempest
rose in the evening sky and you, great physician,
counted yourself among his lightning's casualties.
In dying, you triumphed: Apollon protects his own,
those whose veins unite his ichor with mortal blood.
At the forge, the far-shooter raised his bow and shot
lightning-makers in the static-filled electric laboratory,
punishing them so utterly that great Olympos shook.
The ambrosia-filled goblet fell from Ganymede's
service-worn fingertips; a crack split Zeus's throne.
To bring peace, they made you a god. Now you stand
luminous at Apollon's side, beloved of mortals.
To you, God, Apollon taught the secrets of divine healing.
To you, God, we come with our fears and illnesses.
Hail to you, Divine Healer and King! I shall keep in mind
your remedies and compose another hymn also.

Read more...

Sunday, May 24, 2009

All Gods Invited (New Shrine)




Hello everyone. I graduated last week and am now spending time searching for a job and catching up on some writing (a blog novel, several short stories, and poetry). In addition to these important activities, I have successfully put up an extensive shrine. (Yes, that is an incense holder. Yes, I can burn incense now!) The ashes in the incense holder come primarily from cultus to Hermes and Hera, but I also lit lotus incense for Apollon last night at the Kyklos Apollon ritual. The unlabeled bowl beneath the Delphic Maxims contains more incense ashes and wax from birthday candles, which I like to use because they burn quickly and are well-suited to short rituals for the Theoi.

The large beeswax taper candle is for Hestia, as you can see by the label. The smaller candle to the left is the one I light for Apollon at Delphi Dawn every Saturday night/Sunday morning (depending on when dawn falls, this could be anywhere between 10 pm and 2 am). Smaller candles lie around it, and these are lit for various deities at various times of the day or week.

Dried flowers now occupy the offering bowl. I went for a walk/jog on one of the trails near the house a few days ago, and there were wildflowers everywhere. I decided to offer them to Artemis and Athene.
Posted by Picasa

Read more...

Friday, May 1, 2009

Counting the Homeric Hymns: Pythian Apollon


Happy seventh day of the lunar month! Today is sacred to Apollon (according to Hesiod) and it is also Thargelia!

This is a set of prayer beads that I have made to represent the Homeric Hymn to Pythian Apollon. For the purposes of the count, I have omitted the part where Apollon lays the foundations of his temple, beginning instead with the part I find most meaningful and relevant personally: when Apollon redeems the pirates to become the priests of his temple at Delphi, which through the words of the Mantis will guide the world until the oracular seat is defiled and forsaken. I also love the idea here of Apollon as the God who guides and comes, as it were, to Delphi.

I love the reddish impurities I found in the final bead (the one after the white one that symbolizes the sacrificial animals at Delphi) --- it reminds me of something I read in Burkert about spraying the blood of the sacrifice on the altar.

Starting from the bottom strand:

Palm Charm: The Birth of Apollon
By the palms of rocky Delos, Leto gave birth to a son who guides humankind.

First Set: Apollon Seeks His Priests
Blue - Witness him spotting a vessel on the wine-dark sea: these will be his priests.
Gray - Witness him leaping upon the ship as a dolphin, the redeemer of pirates.
Blue - See him steer the swift-moving ship towards Crisa: he is their guide.

Second Set: Revelation and Sacrifice
Yellow - Out of the vessel, the God leaps: he reveals his divinity, his perfection.
Red - Apollon Delphinios, they pray to you and all the gods, making libations.
Yellow - Apollon Delphinios, they gather themselves around you for the dance.

Third Set: Delphi
Blue-green - Singing the hymn to the Healer, they process up the rocky ridge.
White - Marveling, they see the sacred precinct: here people will make sacrifice.
Blue-green - Mindfully, we will hear the Mantis, she who speaks with your voice.

Palm Charm: The Birth of Apollon
Hail and Farewell to the scion of Zeus and Leto.

The purpose of these beads is to provide me with a meaningful and potent way of doing personal religious practice in situations where libations and incense are inconvenient. I am planning on doing several more for other deities eventually, but as Apollon was my gateway god to Hellenic Polytheism, it is fitting that he is now my gateway to Hellenic prayer beads.

Read more...

A Menagerie of Paganism: My Second Look at Thorn Magazine

In the coming month (or, by the beginning of summer), I will provide reviews of two books, Fritz Graf's Apollo and Jonathan Kirsch's God Against the Gods. If you have any items you think I should raise noise about (and this includes podcasts, other blogs, short publications, and projects you think are useful to the Hellenic community), please comment or E-mail me (my Gmail is annyihra). Now, though, I would like to turn towards a pan-pagan quarterly publication called Thorn Magazine.

You may remember my review of their first issue several months ago. You can read it here, but let me clip a bit:

Thorn looks like a very promising magazine, and Volume 1:1 did a decent job. Content I listed above makes it clear that it gives a voice to minority polytheistic faiths in addition to the concerns of Neo-Wiccans, but that also depends on the types of submissions the magazine acquires. I really liked the set topic idea for the recon faith articles because I think comparing how they do things is good for any outsiders who might read these articles. Thorn's formatting usually hits the mark: I approved of the editorial staff's header and footer designs, and they succeeded in attractively formatting titles' text. The advertisements were unobtrusive, yet noticeable, and very appropriate.


Volume 1, Issue 2 concentrates on the issue of race in Paganism, and it provides a wide array of thought-provoking articles. “Facing the Stormfront: Saving Paganism from Hate” cautioning us that ethnic/recon religions need to remain mindful of racial supremacists. Christine Hoff Kraemer looks at the ethics of respectful cultural exchange in “Cultural Borrowing/Cultural Appropriation: A Relationship Model for Respectful Borrowing,” and the section about Vodou and related diasporic religions was particularly informative for me as an individual with no background in them.

Thorn Magazine is quickly becoming a menagerie of pagan thought, providing snippets of diverse pagan faiths for the casual pagan/polytheistic reader. No one will like all of the writers in every issue, but the magazine serves to push readers outside of their comfort zones. Many of these articles provide human faces for trends within our many faiths and promotes a dialogue between disparate viewpoints, which is good considering the amount of bickering in and among our various communities. In my case, reading “High Days with the Bonewitses” was difficult because I disagree with Bonewits (about the need for doctrinal unity in modern paganism and prefer to approach the idea of pan-paganism as a pagan interfaith dialogue, not an endeavor to homogenize all practices in our various religions to back one set of beliefs and goals). The article helped me understand his goals a bit more clearly so that while I may still disagree with him about some things, I can at least respect where he's coming from. Any time we bridge gaps to understanding like this is valuable, and I thank Thorn for giving me that experience.

Many of the formatting errors have been cleared up. While there is always more room for improvement, I found the font sizes and image placement much more intuitive and attractive. (However, to point out something that nags at my design intuition, the title text for “Grapevines” is lost in the beautiful grape background). There are very few obvious typographic errors. All in all, I give this issue an A-. This is a good grade coming from me. Rather than interpreting the minus as a deficit on Thorn's part, think of it more as a recognition that Thorn can and will grow.

Now that I have finished my discussion of the second issue, let me give you a rating breakdown for Thorn:

Layout - 4.75/5
Editing (Grammar, spelling, formatting) - 4.25/5
Content - 5/5
Readability - 5/5
Overall - 4.5/5

Want to check out some of these articles for yourself? Thorn provides previews of some of them. To fully appreciate their chosen paper medium (and the great articles you cannot read in the preview), consider ordering a copy.

Read more...

About Me

My Photo
Kayleigh
A) Annyikha is a royal refugee from the vicinity of Betelgeuse. Many say that she is a collective hallucination, but an independent third party indicates that she is a recent Smith graduate. (Obviously, the exiled Betelgeusian Bradghsol Empire likes to keep people guessing.)

B) Annyikha is a young woman with a BA in English. She practices Hellenic Polytheism, paying special attention to Apollon Musagetes, Hermes Logios, Athene Sophia, and Mnemosyne. Annyikha is definitely a geek, and she writes poetry, prose, constructed languages, and science fantasy.
View my complete profile

Twitter Updates

  © Blogger templates The Professional Template by Ourblogtemplates.com 2008

Back to TOP